Nato\u010den\u00fd filmov\u00fd materi\u00e1l je sest\u0159\u00edh\u00e1n do dvou verz\u00ed. Jedn\u00e9 dlouh\u00e9, kter\u00e1 je ryze dokument\u00e1rn\u00ed a druh\u00e9 krat\u0161\u00ed distribu\u010dn\u00ed. Film je pojat jako proch\u00e1zka objektem, ve kter\u00e9m je kunstkamera instalov\u00e1na \/z\u00e1mek Horn\u00ed Sta\u0148kov a b\u00fdval\u00e1 s\u00fdpka tamt\u00e9\u017e\/. Nejde ale o kunsthistorick\u00fd film v prav\u00e9m slova smyslu, ale o nasn\u00edm\u00e1n\u00ed imaginativn\u00ed, magick\u00e9 atmosf\u00e9ry t\u00e9to sb\u00edrky a prost\u0159ed\u00ed, v kter\u00e9m je um\u00edst\u011bna. Zvukov\u00e1 str\u00e1nka filmu je omezena jen na hudbu a ruchy. Nav\u00edc bych cht\u011bl v div\u00e1kovi vzbudit dojem, \u017ee nejde o \u201emrtvou“, uzav\u0159enou sb\u00edrku, ale o prostor, ve kter\u00e9m se norm\u00e1ln\u011b \u017eije \u010dili, \u017ee jde o \u201e\u017eivou“ a u\u017e\u00edvanou skute\u010dnost. \/nap\u0159. z\u00e1b\u011br na nedojedenou sva\u010dinu, le\u017e\u00edc\u00ed mezi artefakty, ps\u00ed nebo ko\u010di\u010d\u00ed misku na vodu, pohozenou ko\u0161ili, zut\u00e9 boty, neustlanou postel atd.\/<\/p>\n\n\n\n
Pro\u010d jsem cht\u011bl tento film nato\u010dit? Historick\u00e1 zku\u0161enost \u0159\u00edk\u00e1, \u017ee v\u0161echny kunstkomory, kter\u00e9 byly do t\u011bchto dn\u016f vytvo\u0159eny, byly po smrti sv\u00fdch tv\u016frc\u016f rozkradeny a rozprod\u00e1ny, nebo zni\u010deny \/ nap\u0159. Rudolfova sb\u00edrka, a naposledy kunstkomora Andr\u00e9 Bretona\/ P\u0159itom zde jde o unik\u00e1tn\u00ed dokumenty stavu imaginace v t\u00e9, kter\u00e9 dob\u011b. Ofici\u00e1ln\u00ed muzea nemohou tyto sb\u00edrky nahradit, proto\u017ee jim chyb\u00ed osobn\u00ed nasazen\u00ed.<\/p>\n\n\n\n
Uv\u011bdomil jsem si, \u017ee stejn\u00fd osud v budoucnosti \u010dek\u00e1 bezpochyby i moji sb\u00edrku, a proto jsem se rozhodl stav imaginace t\u00e9to doby \/zbytky magick\u00e9ho sv\u011bta\/ aspo\u0148 touto cestou zdokumentovat.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nato\u010den\u00fd filmov\u00fd materi\u00e1l je sest\u0159\u00edh\u00e1n do dvou verz\u00ed. Jedn\u00e9 dlouh\u00e9, kter\u00e1 je ryze dokument\u00e1rn\u00ed a druh\u00e9 krat\u0161\u00ed distribu\u010dn\u00ed. Film je pojat jako proch\u00e1zka objektem, ve kter\u00e9m je kunstkamera instalov\u00e1na \/z\u00e1mek Horn\u00ed Sta\u0148kov a b\u00fdval\u00e1 s\u00fdpka tamt\u00e9\u017e\/. Nejde ale o kunsthistorick\u00fd film v prav\u00e9m slova smyslu, ale o nasn\u00edm\u00e1n\u00ed imaginativn\u00ed, magick\u00e9 atmosf\u00e9ry t\u00e9to sb\u00edrky a prost\u0159ed\u00ed, […]<\/p>\n","protected":false},"author":1,"featured_media":385,"parent":0,"template":"","meta":{"_acf_changed":false,"iawp_total_views":26,"footnotes":""},"fcountry":[26],"fyear":[19],"class_list":["post-151","film","type-film","status-publish","has-post-thumbnail","hentry","fcountry-czech-republic","fyear-19"],"acf":[],"_links":{"self":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":5,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film\/151\/revisions"}],"predecessor-version":[{"id":586,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film\/151\/revisions\/586"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/media\/385"}],"wp:attachment":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"fcountry","embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/fcountry?post=151"},{"taxonomy":"fyear","embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/fyear?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}