Po dokon\u010den\u00ed z\u0159ejm\u011b posledn\u00edho \u0160vankmajerova filmu Hmyz, na n\u011bm\u017e jsme se oba pod\u00edleli, Adam Ol\u2019ha jako kameraman dokument\u00e1rn\u00ed linky, Jan Da\u0148hel jako st\u0159iha\u010d, jsme byli osloveni filmov\u00fdm producentem Jarom\u00edrem Kallistou a surrealistou Janem \u0160vankmajerem, abychom se skrze film pokusili zakonzervovat tvo\u0159iv\u00e9 procesy, kvas\u00edc\u00ed v \u00fatrob\u00e1ch jejich filmov\u00e9 spole\u010dnosti Athanor.<\/p>\n\n\n\n
V Athanoru \u2013 alchymick\u00e9 peci spolu v\u0161ak soupe\u0159\u00ed t\u0159i principy. T\u00edm t\u0159et\u00edm je p\u0159ed dvan\u00e1cti lety zesnul\u00e1 a z\u00e1rove\u0148 v\u0161e prostupuj\u00edc\u00ed Eva \u0160vankmajerov\u00e1. T\u0159i principy, Rtu\u0165 \u2013 S\u00edra a S\u016fl, kter\u00e1 to cel\u00e9 dr\u017e\u00ed pohromad\u011b, aby to neexplodovalo. Producent a surrealista, jak to jde dohromady? Jsou to spojit\u00e9 n\u00e1doby? Daj\u00ed se obsese, \u0161t\u00edtivosti, magick\u00e9 my\u0161len\u00ed, hry, infantilismus, imaginace a nev\u011bdom\u00ed, n\u011bco tak bytostn\u011b tekut\u00e9ho a procesu\u00e1ln\u00edho v\u016fbec prodat? D\u00e1 se proces tvorby nacenit a zpen\u011b\u017eit? Kde se vlastn\u011b bere, jak\u00e9 je jeho z\u0159\u00eddlo?<\/p>\n\n\n\n
Z\u00e1rove\u0148 jsme se trochu b\u00e1li pov\u011bstn\u00e9 uzav\u0159enosti Jana \u0160vankmajera, kter\u00fd d\u0159\u00edve sebeprezentaci d\u016frazn\u011b odm\u00edtal. Byli jsme v\u0161ak p\u0159ekvapeni, \u017ee n\u00e1s pustil i do zna\u010dn\u011b intimn\u00edch vrstev a lalo\u010dnat\u00fdch z\u00e1kout\u00ed.<\/p>\n\n\n\n
Alchymie nen\u00ed pouh\u00fdm zlatod\u011bjstv\u00edm, v\u017edy jde z\u00e1rove\u0148 i o prom\u011bnu ment\u00e1ln\u00ed. Tak, jak se pro\u010di\u0161\u0165uje sm\u011bs v alchymick\u00e9 peci \u2013 athanoru, prom\u011b\u0148uje se i autor \u2013 alchymista. Jen tehdy, kdy\u017e je operat\u00e9r autenticky p\u0159\u00edtomn\u00fd, prom\u011bna m\u016f\u017ee b\u00fdt zp\u0159\u00edtomn\u011bna i div\u00e1kovi. A tomuto procesu jsme byli s pokorou \u00fa\u010dastni a byli si od po\u010d\u00e1tku v\u011bdomi toho, \u017ee n\u00e1\u0161 film mus\u00ed b\u00fdt z rodu film\u016f \u201eimaginativn\u00edch“.<\/p>\n\n\n\n
Necht\u011bli jsme v\u0161ak nikterak kop\u00edrovat \u0160vankmajer\u016fv rukopis, zvolili jsme sp\u00ed\u0161e obsesivn\u00ed model sn\u00edm\u00e1n\u00ed ne\u017e estetick\u00fd. P\u0159\u00edstup organick\u00fd, asociativn\u00ed a alchymick\u00fd. Konceptu\u00e1ln\u00ed \u00favahy a n\u00e1pady jsme si zak\u00e1zali. Byli jsme jen \u201ena \u010dekan\u00e9“ a s t\u00edmto v\u011bdom\u00edm jsme se tak r\u00e1di nechali zl\u00e1kat do magick\u00e9ho sv\u011bta k dobrodru\u017en\u00e9 h\u0159e na obsesivn\u011b \u201eparazitick\u00fd film“.<\/p>\n\n\n\n
Adam Ol\u2019ha, Jan Da\u0148hel <\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Po dokon\u010den\u00ed z\u0159ejm\u011b posledn\u00edho \u0160vankmajerova filmu Hmyz, na n\u011bm\u017e jsme se oba pod\u00edleli, Adam Ol\u2019ha jako kameraman dokument\u00e1rn\u00ed linky, Jan Da\u0148hel jako st\u0159iha\u010d, jsme byli osloveni filmov\u00fdm producentem Jarom\u00edrem Kallistou a surrealistou Janem \u0160vankmajerem, abychom se skrze film pokusili zakonzervovat tvo\u0159iv\u00e9 procesy, kvas\u00edc\u00ed v \u00fatrob\u00e1ch jejich filmov\u00e9 spole\u010dnosti Athanor. V Athanoru \u2013 alchymick\u00e9 peci spolu […]<\/p>\n","protected":false},"author":1,"featured_media":340,"parent":0,"template":"","meta":{"_acf_changed":false,"iawp_total_views":6,"footnotes":""},"fcountry":[26],"fyear":[9],"class_list":["post-104","film","type-film","status-publish","has-post-thumbnail","hentry","fcountry-czech-republic","fyear-9"],"acf":[],"_links":{"self":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/types\/film"}],"author":[{"embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":13,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film\/104\/revisions"}],"predecessor-version":[{"id":611,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/film\/104\/revisions\/611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/media\/340"}],"wp:attachment":[{"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"fcountry","embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/fcountry?post=104"},{"taxonomy":"fyear","embeddable":true,"href":"https:\/\/svankmajer.cz\/cs\/wp-json\/wp\/v2\/fyear?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}